Jacob van Eyck Quarterly

 

2007, No. 4 (October)

 

 

Jacob van Eyck gets a medal

 

Jacob van Eyck Year 2007 inspired the Dutch sculptor and medalist Theo van de Vathorst (1934) to design a commemorative medal for the Utrecht Orpheus. Van de Vathorst is himself a native of Utrecht, and his roots as an artist are firmly planted in the city. He designed the bronze doors (1996) of the Dom Cathedral as well as the 'Poultry Wife' overlooking the Vismarkt, Utrecht's former Fish Market. These monumental works contrast sharply in size to the Van Eyck medal, which measures just 60 mm (2,36 inches) in diameter.

Van de Vathorst became interested in art medals at a young age, via his teacher Piet Esser at the Rijksacademie in Amsterdam. Contact with the Vereniging voor Penningkunst (Dutch Art Medal Society), established in 1925, intensified his fascination for the genre. The art medal originated during the Italian Renaissance as a commemorative token. The Society's goal of keeping this tradition alive consists in part of issuing two medals per year exclusively for its members. Theo van de Vathorst sat on the board of directors as artistic member from 1981 to 1989.

Medals form a considerable part of his oeuvre: over the years he has designed approximately one hundred art medals [examples]. Unlike coins, they are not stamped, but are cast into actual-size molds, and as such are small sculptures, usually round. Van de Vathorst prefers the smaller format and he considers a circular form an artistic stimulus. As Louk Tilanus writes (transl.), "He is forced to find his form. Thus, as in the sonnet, the restriction of form leads to the invention of form: the limitations of the circle activate his inventiveness. It offers him a platform for his 'visual puns'." (Tilanus 2004: 13)

Theo van de Vathorst PHOTO: SJAAK RAMAKERS

Theo van de Vathorst
Photo: Sjaak Ramakers

The Van Eyck medal sublimely illustrates that inventiveness. The obverse depicts the blind master in a chair. It is a detail from the well-known nineteenth-century litho found in the Lauwerbladen uit Neêrlands gloriekrans (1875-1879) by W.J. Hofdijk, a Romantic impression of Van Eyck testing the bells cast and demonstrated by the Hemony brothers (see illustration). A medal is, of course, far too small to reproduce the entire tableau, so Van de Vathorst made this side of the medal slightly concave, as though Van Eyck is actually sitting within a bell. The medal, as it were, makes music.

The reverse shows the text '2007 hommage [image] Jacob van Eyck †1657' and depicts Van Eyck playing the recorder for burghers out for an evening stroll in the Janskerhof. The medal thus brings together Van Eyck's activities, exemplifying Van de Vathorst's vision of the art medal. "I always look for a relationship between the two sides," he says. "They have to have an inherent unity." And thus a medal tells a story.

Theo van de Vathorst's atelier is located in the Geertestraat in Utrecht, only a couple of hundred yards from where Jacob van Eyck lived. In 1997, Queen Beatrix awarded the artist a knighthood in the Order of the Lion of the Netherlands.

 

Thiemo Wind

(Translation: Jonathan Reeder)

 

Literature: Louk Tilanus, Theo van de Vathorst - Het beeld en het verhaal. Zwolle: Waanders, 2004. [with a summary in English.]

Website: www.vandevathorst.nl

 

 

Quarterly 2008 / 1 will appear in January 

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